Artistic creativity blends with political ideology in CCRI Players' adaptation of
Cabaret
Artistic creativity blends with political ideology in CCRI Players' adaptation of
Cabaret
Feb. 21, 2020
The rise of fascism in 1930s Berlin is the backdrop of the Community College of Rhode
Island Players’ latest musical adaptation, Cabaret, set to premier later this month at the Knight Campus’ Bobby Hackett Theatre.
Originally published as a novel entitled “Goodbye to Berlin” by Christopher Isherwood,
Cabaret tells the story of Cliff Bradshaw, a young, American writer who arrives in Berlin
seeking inspiration for his latest novel, only to fall in love with a performer at
a seedy nightclub, a complicated musical that ends with heartbreak and the eventual
takeover of the Third Reich in Germany.
Cabaret, directed by Associate Professor and Theater Program Coordinator Ted Clement, debuts
Thursday, February 27 and continues through Sunday, March 1. Showtimes are 7:30 pm
from February 27–29 with a special 2 pm matinee on February 29 and March 1. General
admission tickets are $12 and only $10 for seniors and CCRI students, faculty and
staff.
Cabaret has undergone several makeovers since its first adaptation as a musical by John Kander
and Fred Ebb in 1966, including the 1972 film starring Liza Minnelli and Joel Gray,
and the 1998 Broadway revival, which is the script Clement used for this year’s production.
The latter earned 10 Tony Awards nominations and eventually become the third longest-running
revival in Broadway history at its peak in 2004 with 2,377 performances.
Cabaret is the first and only musical on this year’s schedule for the CCRI Players and features
a cast of 17 in addition to faculty and staff working in choreography, lighting and
scenic design. Clement admittedly has a history of producing shows with large casts,
which he says serves as a valuable teaching tool for students in the college’s Performing
Arts Department, whether they are performing on stage or working behind the scenes.
“I enjoy staging large shows and I enjoy giving as many opportunities to as many students
as I can,” Clement said. “That’s the benefit of doing such a large show. It can be
a challenge because it’s a lot to do and there are a lot of moving parts.
“Directing a musical is a lot like directing three plays at once because there’s a
whole world of acting and storytelling, there’s a whole world of dance and choreography
and storytelling, and there’s a whole world of singing and storytelling. There are
a lot of cooks, and it’s a really big soup, but we have amazing collaborators and
I’m thrilled to lead such a strong team.”
The subplot of Cabaret is the widening gap in ideology and the stark contrast between the late 1920s and
early ‘30s era of creative, artistic expression in Berlin and the eventually dictatorship
of Nazi Germany, which ruled the country until the end of World War II. The characters
portrayed at the Kit Kat Klub, where Cliff Bradshaw meets Sally Bowles, a character
based on well-known cabaret singer Jean Ross, are an exemplification of nightlife
in Berlin during the Golden Twenties, an era of economic growth and the expansion
of liberal values in Western Europe.
The original novel is considered a semiautobiographical account of Isherwood’s time
in 1930s Berlin in which he meets a diverse array of German citizens.
“That expressive environment,” Clement says, “created a national backlash in the general
population, which really paved the way for the rise of Nazis and fascism in Germany.”
The cast of Cabaret features Providence’s Jerry Middlemiss as Cliff Bradshaw and Warwick native Naomi
Tyler as Sally Bowles, in addition to fellow students Kari Kaye Skousen of Johnston,
Cranston’s Julie Egan, Sofia DaSilva of Woonsocket, and Nyah Price of Providence.
While Clement said he does not choose which plays to produce based on politics, he
also admits “I don’t hate it when my choices are political.” Cabaret, he said, remains relevant because of the recent rise of nationalism in “governments
across the planet.”
“I think you can draw some pretty strong parallels between some of the things that
are going on in countries all over the world,” Clement said, “and the rise of fascism
in Europe that led to World War II.”
The full 2019-20 CCRI Players’ schedule is available online. For reservations, call 401-825-2219.
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Feb. 21, 2020
