Artistic creativity blends with political ideology in CCRI Players' adaptation of Cabaret
Feb. 21, 2020
The rise of fascism in 1930s Berlin is the backdrop of the Community College of Rhode Island Players’ latest musical adaptation, Cabaret, set to premier later this month at the Knight Campus’ Bobby Hackett Theatre.
Originally published as a novel entitled “Goodbye to Berlin” by Christopher Isherwood, Cabaret tells the story of Cliff Bradshaw, a young, American writer who arrives in Berlin seeking inspiration for his latest novel, only to fall in love with a performer at a seedy nightclub, a complicated musical that ends with heartbreak and the eventual takeover of the Third Reich in Germany.
Cabaret, directed by Associate Professor and Theater Program Coordinator Ted Clement, debuts Thursday, February 27 and continues through Sunday, March 1. Showtimes are 7:30 pm from February 27–29 with a special 2 pm matinee on February 29 and March 1. General admission tickets are $12 and only $10 for seniors and CCRI students, faculty and staff.
Cabaret has undergone several makeovers since its first adaptation as a musical by John Kander and Fred Ebb in 1966, including the 1972 film starring Liza Minnelli and Joel Gray, and the 1998 Broadway revival, which is the script Clement used for this year’s production. The latter earned 10 Tony Awards nominations and eventually become the third longest-running revival in Broadway history at its peak in 2004 with 2,377 performances.
Cabaret is the first and only musical on this year’s schedule for the CCRI Players and features a cast of 17 in addition to faculty and staff working in choreography, lighting and scenic design. Clement admittedly has a history of producing shows with large casts, which he says serves as a valuable teaching tool for students in the college’s Performing Arts Department, whether they are performing on stage or working behind the scenes.
“I enjoy staging large shows and I enjoy giving as many opportunities to as many students as I can,” Clement said. “That’s the benefit of doing such a large show. It can be a challenge because it’s a lot to do and there are a lot of moving parts.
“Directing a musical is a lot like directing three plays at once because there’s a whole world of acting and storytelling, there’s a whole world of dance and choreography and storytelling, and there’s a whole world of singing and storytelling. There are a lot of cooks, and it’s a really big soup, but we have amazing collaborators and I’m thrilled to lead such a strong team.”
The subplot of Cabaret is the widening gap in ideology and the stark contrast between the late 1920s and early ‘30s era of creative, artistic expression in Berlin and the eventually dictatorship of Nazi Germany, which ruled the country until the end of World War II. The characters portrayed at the Kit Kat Klub, where Cliff Bradshaw meets Sally Bowles, a character based on well-known cabaret singer Jean Ross, are an exemplification of nightlife in Berlin during the Golden Twenties, an era of economic growth and the expansion of liberal values in Western Europe.
The original novel is considered a semiautobiographical account of Isherwood’s time in 1930s Berlin in which he meets a diverse array of German citizens.
“That expressive environment,” Clement says, “created a national backlash in the general population, which really paved the way for the rise of Nazis and fascism in Germany.”
The cast of Cabaret features Providence’s Jerry Middlemiss as Cliff Bradshaw and Warwick native Naomi Tyler as Sally Bowles, in addition to fellow students Kari Kaye Skousen of Johnston, Cranston’s Julie Egan, Sofia DaSilva of Woonsocket, and Nyah Price of Providence.
While Clement said he does not choose which plays to produce based on politics, he also admits “I don’t hate it when my choices are political.” Cabaret, he said, remains relevant because of the recent rise of nationalism in “governments across the planet.”
“I think you can draw some pretty strong parallels between some of the things that are going on in countries all over the world,” Clement said, “and the rise of fascism in Europe that led to World War II.”
The full 2019-20 CCRI Players’ schedule is available online. For reservations, call 401-825-2219.
Building a better future
CCRI teams with offshore wind joint-venture partners Ørsted and Eversource and labor and workforce development organizations, to prepare Rhode Island’s offshore wind workforce.
Access to education
CCRI has been selected as an education partner for Amazon’s Career Choice program, providing Amazon’s hourly employees access to the college’s more than 90 degree programs in high-demand industries.
Experience of a lifetime
Students in CCRI’s Communication and Film/Media program enjoyed a unique opportunity this past spring thanks to a first-of-its-kind project-based learning collaboration with Fidelity Investments.
The show goes on
For the first time in more than two years, the CCRI Players relaunch their Summer Repertory theater season at the Knight Campus’ Bobby Hackett Theatre with an adaptation of a classic Shakespeare work.
A road less traveled
More than a decade after beginning her journey as a Photo Specialist at Walgreens, first-generation CCRI alumna Michelle Roques is now behind the pharmacy counter as a Registered Pharmacist.
Seizing the opportunity
Seventeen seniors from Providence’s public high schools will graduate from their respective high school this year as part of CCRI's Accelerate program to earn up to 24 transferable college credits.
Spring 2022 Dean's List
Students enrolled in a degree program who have completed 12 credits with a grade point average of 3.25 or higher each semester with no grade lower than “C” are eligible for the Dean's List.
From the festive, well-decorated graduation caps to the sounds of Pomp and Circumstance filling the arena, CCRI returned to the Dunkin’ Donuts Center for its first in-person commencement since 2019.